| Presenter |
Leon Thurman, Ed.D. |
| Presentation Title |
ADDRESSING VOCAL REGISTER DISCREPANCIES: AN ALTERNATIVE, SCIENCE-BASED
THEORY OF REGISTER PHENOMENA |
| Additional Authors |
Graham Welch, Ph.D.; Axel Theimer, D.M.A.; Carol Klitzke, M.S.,
CCC/SLP |
| Link to multimedia presentation |
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The mp3 format audio for that paper is
here (~3.7M ). |
| Link to abstract provided before conference |
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| Link to speaker notes, if provided |
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[in .pdf form,
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the free adobe acrobat pdf viwer here] |
| Question/Answer session |
The below has the question in text form, with a
link to the audio form. The answer is typically in audio form only.
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1 |
Natalie Henrich – I’m glad
you raised the point that vocal registers is a notion which needs
to be clarified. In fact, I believe it is related to singing, and
we scientists should find ways to define it more properly. [listen
to audio for further discussion on vocal registers and terminology…]
Audio link. |
| |
2 |
Perry Smith – One issue that singers deal
with (and the audience pays for), are the notes in which the subglottal
pressure is extremely high. This usually occurs past the second
passaggio note, and I notice that no one theory has described or attempted
to demonstrate what occurs in this area of the voice. I have my
own theories since there is a limit as to how far the vocal folds
will stretch. Something else has to occur and these are the notes
the audience pays for and that all singers die for. No one in the
field here has actually addresses this. The real issues are not the
chest voice – middle voice transition but the upper transition,
can you describe what occurs here?
ANSWER DEFERRED TO PANEL
DISCUSSION
Audio link. |
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3 |
Jeannie Lovetri – I refer to the article you
handed out in which you refer to belt singing which is about 4 paragraphs
long. Would I be correct that all non-classical singing is being
lumped under the category "belt?" [...Further discussion of singing
classifications, listen to audio link for the rest].
Audio link. |

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